Skip to main content

Culture Monitor 2022: The Key Findings

The newly released 2022 annual report on the Culture Monitor provides a current analysis of six main themes. Entirely new is the theme page Digital Transformation, for which the Boekman Foundation has, among others, spoken with DEN. For the future, we want to make it clear how cultural organizations are actually and fundamentally changing thanks to digital transformation. 

7 min. read20 feb `23

Through the Culture Monitor dashboard, the Boekman Foundation provides a wealth of sources and data. A goldmine of information with which you can create your own charts. Want to work data-driven? Dive into the data of the Culture Monitor!

Digital Transformation

The Digital Transformation theme page is part of the Culture Monitor for the first time this year. The current focus on the topic - from policymakers, the sector, and the public - and the significant opportunities and challenges it presents for the cultural sector make digital transformation an important theme to monitor.

Digital transformation progresses differently across the various domains of the Culture Monitor, which is why it is highlighted separately per domain on the theme page. There are still significant differences between primarily virtual domains such as gaming and music streaming and traditionally physical domains such as museums and heritage. 

Nevertheless, digital transformation also offers opportunities for cultural organizations. For example, for creation, reaching new audiences, staying connected with future audiences, and ensuring that culture from the past remains available. 

Shared Definition

DEN and Boekman use the same definition of digital transformation. This contributes to consistency within the sector. The key features of this definition are the value for the audience and the fact that digital transformation affects all facets of an organization. It goes beyond digitization, which involves converting information into a digital form.

The Digital Transformation Definition

Digital transformation is a continuous change of the entire organization, driven and supported by the increasing use of digital technologies. The core of digital transformation is a change in the business model. The main question is how the organization can continue to deliver value to its customers. The transformation affects all facets of an organization, including culture, strategy, processes, relationships, and employee skills. 

Source: S. Jansen, The Management Book for Digital Transformation, 2022

Want to learn more about digital transformation and what you can achieve with it in your organization? Read this article.

Data in the Culture Monitor, a Starting Point for Data-Driven Work

The Culture Monitor also contains statistical data about the cultural sector. With this, you can create your own charts based on your desired indicators. This allows you to make data-driven decisions within your organization.

What You Can Do with It

The Culture Monitor provides insights into, for example, the number of organizations within the cultural sector. It also shows to what extent the cultural sector reaches society; for this, you can look at the percentage of general culture visitors in the Netherlands. By comparing the figures of different years or types of institutions, you gain insights into trends and developments in the sector and can tailor your offerings accordingly.

What Do We See?

In 2021, the sector consisted of 906 libraries, 334 organizations with venues for performing arts, 629 museums, and 52 video-on-demand platforms.

Gegevens van het aantal culturele organisaties in Nederland in 2018, 2019, 2020 en 2021. Er is vooral een stijging in het aantal video on demand platforms, de overige instellingen (musea, bibliotheken en podiumkunsten) blijven vrijwel constant.
Chart of the number of cultural institutions in the Netherlands in 2021.

From 2018 to 2020, the share of culture visitors in the Netherlands decreased from 94% to 84%. By selecting indicators such as the share of museum visitors and the number of cinema visitors, you can also examine culture visitors in more detail.

Staafdiagram van het aandeel cultuurbezoekers onder de bevolking. in 2021 was het aantal bezoekers 10% lager dan het jaar ervoor. 84% in plaats van 94%. Ook op de uitgesplitste domeinen erfgoedbezoekers, filmbezoekers en podiumkunstbezoekers was een flinke daling.
Chart of the share of culture visitors among the population, 2012-2020

In 2021, three-quarters of museums offered online activities. The chart below shows the distribution of different online activities in 2020 and 2021. Additionally, experiments with adding digital applications or immersive experiences to exhibitions have significantly increased in recent years. For example, the use of VR or AR in museum setups, livestreams, performances, or a so-called Museum of the Future: a study by, among others, Beeld en Geluid on the role of Virtual Reality (VR) in creating shared experiences around digitized museum objects.

Een vergelijking tussen 2020 en 2021 in het aandeel van musea dat online activiteiten aanbiedt. In 2021 was op alle factoren (virtuele rondleiding via eigen website, virtuele rondleiding via derden, rondleidingen door medewerkers via online stream, opdrachten of uitdagingen voor online bezoekers en andere online activiteiten) minder aanbod, behalve op online workshops of cursussen.
Chart of the share of museums offering online activities, 2020-2021

Design is the fastest-growing market within the creative industry. The rise of digital design – where design competencies are combined with digital skills such as software development and the application of artificial intelligence (AI) – has put design on the map more than ever.

Investigated performing arts companies attracted roughly the same number of visitors with online performances in 2020 and 2021 as in previous years.

Chart of (attendance at) online performances by 77 performing arts companies with multi-year funding from the Performing Arts Fund, 2019-2020

Digital Transformation Made Transparent

The currently available sources are not yet sufficient to use data to make the state of digital transformation in the cultural sector clear. Standardized and more up-to-date data increasingly make it possible for the sector to work data-driven. To compare different types of institutions effectively, it is important to collect data on the same points, in the same period, and in the same units.

Data is the instrument of the future. The Audience Data Taskforce is committed to the (safe) use of audience data in the cultural sector. Read more about this collaboration

Why Data in the Cultural Sector?

  1. Insight into Potential Audience

    Digital applications and data make it possible to gain more insight into the existing and potential audience. If this data becomes available and usable for the sector, institutions can better respond to their various target groups.

  2. Trends and Developments

    Trends and developments visible in data make cultural institutions resilient and adaptable to these changes. Institutions can compare their own data with data from the sector to position themselves within the whole and discover opportunities.

  3. Data-Driven Work

    Data-driven work is part of a successful digital transformation. You can see the effect of the steps you take and use insights from the data to make further decisions.

Ambitions for the Future

Based on the currently available data on the use of digital technologies in production, distribution, consumption, and archiving, you cannot yet get a clear picture of the extent to which institutions fundamentally change due to digital transformation. How does it influence organizational culture, strategy, processes, relationships, and employee skills? What is the impact of digital transformation? DEN supports the Boekman Foundation in its ambitions to investigate how this essential knowledge can be strengthened as the theme develops further.

Another shared ambition of Boekman and DEN lies at the intersection of ecological sustainability and digital transformation: to what extent is the cultural sector consciously working on the footprint of digital services? And how does the CO2 impact of digital compare to that of physical? The Culture Monitor already includes a theme page on sustainability in the cultural sector, and DEN also has a page with tips on how to approach digital projects sustainably.

Share this news article